Lighting Fixtures

Stage Lighting Fixture Rental in Nashville — The Workhorses Behind Every Great Look

Moving heads grab the spotlight in the marketing photos, but conventional fixtures do the heavy lifting on a real show. A well-cued ETC Source Four hitting a CEO at a keynote will look better than any moving spot in the rig. Twenty matched uplights washing a ballroom in single-color brand red will make the room read as a brand activation before anyone reads the signage. Nashville Audio Visual carries the conventional and LED fixtures the working stage and corporate lighting industry actually runs on.

Theatrical fixtures: ETC Source Four family

The ETC Source Four Leko (ellipsoidal) is the most-spec’d theatrical fixture in the world — for good reason. Crisp framing shutters, interchangeable lens tubes (19°, 26°, 36°, 50°), and gobo slots make it the right answer for stage washes with hard edges, CEO key lighting, follow-spot positions, and gobo projection (logos, foliage, patterns). The Source Four PAR trades the framing shutters for a broader oval-beam wash, ideal for cyc lighting, stage washes, and architectural color. For a fully-controllable LED replacement, the Source Four LED Lustr 2 delivers full-spectrum color mixing with x7 Color System — no gel changes, no heat, no lamp swaps.

Uplighting: the wash that defines the room

Most weddings and corporate gala color schemes live or die by uplighting. We carry ADJ IP-rated battery-powered uplights for outdoor or hard-to-power positions (8–10 hours of color on a single charge), and our standard ADJ battery-powered uplights for indoor wash positions where you don’t want power runs across a guest floor. Both deliver saturated single-color or color-mixed scenes, all DMX-controllable for live cue changes during the program.

LED PAR and color-mixing fixtures

For higher-output LED color in stage and corporate rigs: Chroma-Q Color Force II 12″ and 72″ battens deliver broadcast-quality color mixing for cyc washes and large color fields. The ADJ 5P HEX is our go-to compact LED PAR with six-color HEX mixing (red, green, blue, amber, white, UV) for clean pastel-to-saturated rendering. For long-throw bars, the ADJ 23″ Ultra Hex Bar covers wider areas with the same color quality.

Conventional PAR cans & specialty looks

Classic PAR 38 and PAR 46 tungsten cans are still the right answer when you need warm incandescent color quality or you’re lighting decor for a vintage vibe. For tight focal lighting on centerpieces, signage, sponsor tables, or product reveals, our pin-spot fixtures deliver narrow tight pools without spilling into the surrounding design.

Building a fixture plot? Send us your stage plot and the look you want and we’ll spec the right combination of fixtures, gel/color, and control.